Originally published on Fri November 9, 2012 8:40 am
There's a special place in my heart for sad bastards who howl through crushingly loud amp stacks. Dinosaur Jr, Hüsker Dü and Warning, for example, all offer opportunities to stare weepily out the window while subtly banging your head. But not enough heavy bands seeking the musical equivalent of failure-through-distortion follow the hung-head example of the Athens, Ga., trio Harvey Milk.
Taylor Swift's new album, Red, sold more 1.2 million copies in its first week — the highest first-week sales total for an album in over a decade. She did it partly by answering a surprisingly complicated question: What's the best way to sell an album?
There are so many ways to release your music these days. You can sell it at Amazon, iTunes, Wal-Mart, and Starbucks. You can release it to streaming sites like Spotify. You can go on tour.
After the pioneering glam-rock band Mott the Hoople dissolved in 1974, Ian Hunter kicked off a solo career that stalled in the '80s. It took the death of Hunter's close friend and Spiders From Mars guitarist Mick Ronson in 1993 to reinvigorate his music career. But one thing has remained constant: Whether with Mott the Hoople or in politically charged albums nearly 40 years into his career, Hunter has never held back.
Originally published on Thu November 8, 2012 8:23 pm
After a quarter century together as one of the world's top chamber music ensembles, the Fugue String Quartet is falling apart at the seams. A generation older than his colleagues, cellist Peter (Christopher Walken) is experiencing the early symptoms of Parkinson's, and with his sudden retirement, a morass of long-buried resentments and pain come spewing out of his three younger partners: first violinist Daniel (Mark Ivanir), second violinist Robert (Philip Seymour Hoffman) and violist Juliette (Catherine Keener).