The song "The Seed (2.0)," a collaboration between the hip-hop band The Roots and singer Cody ChesnuTT, was everywhere 10 years ago. But while The Roots produced album after album in the decade that followed, ChesnuTT took a hiatus. Now, he's finally out with his second full-length record, Landing on a Hundred.
"About four and a half, five years ago, material started coming," ChesnuTT tells NPR's Rachel Martin. "Certain ideas — lyrical phrases and melodies — would pop into my head, and I felt good about it. I felt energized again. I felt inspired again."
One hundred fifty years ago today, Giuseppe Verdi first mounted his opera La Forza del Destino ("The Force of Destiny") on a stage in St. Petersburg, Russia. Today, La Forza is considered one of Verdi's masterpieces, but it wasn't always that way. The story of Don Alvaro, whose love for the aristocratic Leonora incurs the wrath of her family, is violent and chaotic, and it flopped on its first run.
Nickelback. The name itself is musical shorthand for everything music aficionados love to hate about modern rock.
But with more than 50 million record sales worldwide and a lead singer who earns $10 million a year, the band is laughing all the way to the bank — as reporter Ben Paynter describes in Bloomberg Businessweek Magazine.
Originally published on Sat November 10, 2012 2:31 pm
Post-Sandy, post-election, post-Taylor Swift, we're still here. This week we're schooled by a British dance music fan and Chad Kroeger. For further instruction, you're going to have to put in a little more work — to read an excellent interview with Ozzy Osbourne's bassist you can't just click, you have to order the print magazine in which it appears. Some things never change.
Elliott Carter died this week, a month shy of his 104th birthday. He had a huge influence on modern classical music. So in 2008, when Elliott Carter was celebrating his centennial, NPR's Tom Cole went to New York City to interview him. And he has this remembrance of what it was like to meet the storied composer.
TOM COLE, BYLINE: I was terrified. I mean, this was a man who had lived history; a composer who'd won two Pulitzer Prizes, for his Second and Third String Quartets.