Pete Yorn has been collaborating quietly with fellow Los Angeles musician J.D. King on a new project called The Olms. The band was born in a studio, but has recently taken to the stage to perform live, including its L.A. debut for friends, family and fans at KCRW. Referencing jangly folk and '60s-era Britpop, King and Yorn dive headfirst into a charmingly retro sound with this performance of "Wanna Feel It" at Apogee Studios.
Twenty Feet from Stardom, filmmaker Morgan Neville's new documentary, is a reminder that most of pop music's catchiest hooks, riffs and refrains were sung by voices harmonizing in the background. Neville says he wanted to put backup singers — black, female and honed in church — front and center.
"I was really more interested in people who were voices for hire," he says, "who were able to walk into sessions never knowing what they had to do and could bring it."
Now to another topic in tech. Today, Apple's Worldwide Developers Conference launched in San Francisco. The company made a slew of announcements: new MacBooks, a new operating system, and the most anticipated announcement - Apple's entry into the streaming music market with iTunes Radio. But as NPR's Laura Sydell reports, many analysts are underwhelmed.
Originally published on Wed September 25, 2013 4:55 pm
Last Good Tooth shares a hometown — Providence, R.I. — with The Low Anthem, and the two bands have both shown a penchant for experimenting with fiddles and Appalachian music.
Led by songwriter Penn Sultan, the son of sculptor Donald Sultan, Last Good Tooth crafts free-wheeling songs, marked by delightful extended breaks and smart lyrics. The group recently relocated to New York City, and its new album (Not Without Work and Rest) is out now on Conor Oberst's Team Love Records.
When some members of the Philadelphia Orchestra were stuck on the tarmac last week for three hours waiting to fly from Beijing to Macao, they decided to give an impromptu performance for their fellow passengers. Melissa Block and Audie Cornish have more.