Originally published on Sat November 10, 2012 2:31 pm
Post-Sandy, post-election, post-Taylor Swift, we're still here. This week we're schooled by a British dance music fan and Chad Kroeger. For further instruction, you're going to have to put in a little more work — to read an excellent interview with Ozzy Osbourne's bassist you can't just click, you have to order the print magazine in which it appears. Some things never change.
Elliott Carter died this week, a month shy of his 104th birthday. He had a huge influence on modern classical music. So in 2008, when Elliott Carter was celebrating his centennial, NPR's Tom Cole went to New York City to interview him. And he has this remembrance of what it was like to meet the storied composer.
TOM COLE, BYLINE: I was terrified. I mean, this was a man who had lived history; a composer who'd won two Pulitzer Prizes, for his Second and Third String Quartets.
The world is full of love songs. Unrequited love, romantic and lustful love, poetic and sensual love — they're all more than covered. Plenty of tunes address betrayal and broken hearts, but actual relationship aren't so black-and-white. Confusing and captivating emotions lie just beneath the surface of even the simplest smitten love, and breakups are rarely as definitive as they're often portrayed in popular music.
When you reach a certain age, big life surprises tend to come few and far between, unless you're Harold Van Heuvelen. Van, as everyone calls him, has had a blockbuster week full of dreams fulfilled. The story of his dream starts more than 70 years ago, on Dec. 7, 1941.
Van Heuvelen enlisted in the Army after Pearl Harbor. He was posted to a base in New Orleans as an instructor for recruits. He spent the war stateside, training men who were being shipped out to Europe and the South Pacific.