NPR Music

Deceptive Cadence
5:03 am
Mon May 27, 2013

Watch A Mind-Blowing Visualization Of 'The Rite of Spring'

Stephen Malinowski

Originally published on Tue May 28, 2013 8:28 am

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Music Interviews
12:40 pm
Sun May 26, 2013

Dirty Beaches: A Nomad Musician Starts Over (And Over, And Over)

Dirty Beaches is the performing title of the Taiwanese-Canadian musician Alex Zhang Hungtai. His new double album is called Drifters / Love Is the Devil
Daniel Boud Courtesy of the artist

Originally published on Tue June 4, 2013 2:09 pm

Alex Zhang Hungtai is a musician who has spent his life drifting from home to home. His parents were children of communist China, and since setting out, he's lived in places as far-flung as Honolulu, Montreal and most recently, Berlin.

Under the name Dirty Beaches, Hungtai makes washy, dreamy rock music that often feels nostalgic. Hungtai's whole last album was dedicated to his father; he was inspired after finding out his dad had been in a doo wop cover band during his youth in China.

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A Blog Supreme
5:03 am
Sun May 26, 2013

Rites Of Swing: Jazz And Stravinsky

Cover art to Phil Woods' Rights Of Swing, 1961.
Candid Records

Originally published on Sun May 26, 2013 8:00 am

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Deceptive Cadence
5:03 am
Sun May 26, 2013

Why Jazz Musicians Love 'The Rite Of Spring'

Flutist Hubert Laws is one of many jazz artists to have recorded an adaptation of themes from The Rite of Spring.
Frederick M. Brown Getty Images

Originally published on Tue May 28, 2013 10:05 am

A 100-year-old ballet, composed by a Russian for a French audience, has become something of a jazz standard.

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Music Interviews
4:39 am
Sun May 26, 2013

Marshall Chapman: A Lifelong Rocker Reared In The Shadow Of Elvis

Marshall Chapman's latest album, her 13th, is called Blaze of Glory.
Courtesy of the artist

Originally published on Sun May 26, 2013 2:11 pm

When Scotty Moore, Elvis Presley's former guitar player, tells you check out the music of Marshall Chapman, maybe you should give it a listen.

Moore is just one of many to sing Chapman's praises, but it's especially fitting that a member of the King's entourage should endorse her. Chapman says it was a 1956 Elvis concert that convinced her, at 7 years old, to make music.

"They mark time like A.D. and B.C., right?" she says. "For me, it's sort of B.E. and A.E. It was a life-changing event."

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