If you listen to the music on Charmer, hearing Aimee Mann's vocals as just another lilting instrument, you'd probably think the album was just what the title suggests: a charmer. The melodies have an airy quality, at once floating and propulsive, and even without fixing on the words, you can hear that they're metrically precise, with carefully counted-out syllables and tight rhymes.
Grizzly Bear, which has just released its fourth studio album, Shields, spoke to Morning Edition host David Greene about democracy within the band, censorship and candor in interviews, and achieving success as an indie band. Hear the radio version at the audio link and read part of their conversation below.
Weekends on All Things Considered continues its "Why Music Matters" series with music from the heavens, as chosen by astronaut Stan Love.
"In space, every day is an important day of work," Love says. But when he was sent up to the space station to drop off and pick up crew members, the returning station crew member asked, "Dudes, where are the tunes?"
Violin virtuoso Itzhak Perlman compares Jewish cantor Yitzchak Meir Helfgot to some of the giants of opera. Helfgot is the chief cantor at Manhattan's Park East Synagogue. He has sung at the Metropolitan Opera. Now, he and Perlman have recorded an album together that goes back to a time when cantors were opera stars. Jon Kalish reports.