NPR Music

The Record
11:13 am
Sun January 6, 2013

The Week In Music: What To Read Now That We're Back In The Saddle

Das Racist, in happier times.
Courtesy of the artists

This week writers came back from the holiday break ready to play. From David Denby unloading in the New Yorker, to John Jeremiah Sullivan working a mention of the Fruit Jar Guzzlers into a Paris Review piece, Robert Christgau beating his breast over Das Racist's breakup and an examination of the visuals of extreme music, there wasn't a lot of taking it easy. Lucky you.


Who's That? Brooown!

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Music Interviews
5:15 am
Sun January 6, 2013

The Voice Of 'Schoolhouse Rock' On The Series At 40

Schoolhouse Rock!, the series of educational shorts that ran on Saturday mornings in the 1970s and '80s, is 40 this year.
ABC

Originally published on Sun January 6, 2013 9:02 am

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Music Interviews
1:03 am
Sun January 6, 2013

Antibalas: Cooking Up Afrobeat In A Sweltering Kitchen

Antibalas was founded in 1998 by baritone sax player Martin Perna (far right, in hat) and is fronted by singer-percussionist Amayo (center, in head wrap). The group has seen many lineup changes in its decade and a half together.
Marina Abadjieff Courtesy of the artist

Originally published on Sun January 6, 2013 9:02 am

Years ago, without setting out to do so, the Afrobeat ensemble Antibalas jumped out ahead of the pop-culture curve in two ways. First, geography: The band was formed in Brooklyn in the 1990s, before the New York borough became the mecca of independent music that it is today. Second, the music itself: Afrobeat makes its way into lots of popular music today, but Antibalas was doing it before it had a mainstream foothold.

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Music News
4:10 pm
Sat January 5, 2013

Bikini Kill Rises Again, No Less Relevant

Bikini Kill performs in Washington, D.C., in the 1990s.
Courtesy of Pat Graham

Originally published on Tue January 8, 2013 3:24 pm

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Music Interviews
1:03 am
Sat January 5, 2013

Preserving The Home, And History, Of New Orleans' Piano Professor

Professor Longhair performs at the New Orleans Jazz & Heritage Festival, circa 1970.
David Redfern Redferns

Originally published on Sat January 5, 2013 1:10 pm

On the tough side of Terpsichore Street in New Orleans stands a duplex — a two-story, wood-framed building with wood floors, high ceilings and a nice fireplace. But this old house is empty: no furniture, no walls, no electricity, no toilet. Iron bars hide the windows; there's a lockbox on the door. The facade is three different shades of blecch, blurgh and blah.

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