For Rhye's first-ever radio performance, we turned the lights down and lit some candles to get in the mood. We were curious to hear how the band — the project of producer Robin Hannibal and singer Mike Milosh — would translate the intimacy of its sensual, soulful music into a live setting. With the help of incredible backing players, including a string section, Hannibal and Milosh pulled off a romantic, moving set.
It's incredibly calming to watch Glenn Jones play acoustic guitar. Whether he's appearing by the train tracks or in one of our Tiny Desk Concerts, there's nothing flashy about his style, only careful consideration as he gently hops over the frets like a lily-padding frog.
This week — when many of us at NPR rushed to file our U.S. federal income-tax returns, then moved to a new headquarters — I'm reminded of a moment in jazz history. Namely, the mid-1940s, when a new style called bebop came into popularity.