It's incredibly calming to watch Glenn Jones play acoustic guitar. Whether he's appearing by the train tracks or in one of our Tiny Desk Concerts, there's nothing flashy about his style, only careful consideration as he gently hops over the frets like a lily-padding frog.
This week — when many of us at NPR rushed to file our U.S. federal income-tax returns, then moved to a new headquarters — I'm reminded of a moment in jazz history. Namely, the mid-1940s, when a new style called bebop came into popularity.
Listening to her ethereal sound, you might not guess that Rachel Zeffira was classically trained as an opera singer. But on her solo debut, The Deserters, she's not just singing: She also plays piano, synthesizers, vibraphone, cathedral organ, violin, viola, oboe and English horn.
Zeffira makes her home in London now, but she grew up in a small town in rural British Columbia and began playing music at a young age.
Anton Bruckner divides audiences. For admirers, his sprawling, stately symphonies — with their great pauses and timeless repetitions — represent the summit of the 19th-century Viennese symphonic tradition. For skeptics, the symphonies are exercises in lumpy piety, plagued with bombastic sonorities and numbingly long-winded development sections.
Originally published on Wed April 17, 2013 2:27 pm
The name Lady Lamb the Beekeeper came to singer-songwriter Aly Spaltro in a dream. When the Maine native emerged from the DVD-store basement where she'd been experimenting with music for several years, her friends responded positively. She soon moved to Brooklyn, where those original songs were re-worked for her debut album, Ripley Pine, released this past February.