I've been listening to two very good new albums led by drummers. After learning that both men are in their early 70s, I can't help but wonder how I process that fact in what I hear.
"Killer" Ray Appleton (b. 1941) and Barry Altschul (b. 1943) practice different styles. But they both came of musical age in the hard-bop era, spent many years living in Europe and eventually returned to New York. In other words, they've each got a lot of experience.
In a way, singer Julianna Barwick's ethereal voice and seemingly shapeless songs are a form of abstract art: colorful and curious, with lines that drift and flow in unexpected but beautiful directions. For her latest video, and a new song called "Offing," Barwick finds commonality in architect Philip Johnson's Glass House and a strange sculpture from artist Ken Price. Barwick performs alongside the sculpture for a live audience, filling the Glass House with layers of her sublime voice.
It's Marches Madness! Throughout this month, we're posting some of our favorite marches — from the concert hall, opera stage and parade ground. Got one we should hear? Played any yourself? Let us know in the comments section.