Jake Shimabukuro has carried the sound of the ukulele from his home in Hawaii to the world's concert stages. He's shared the spotlight with both Bette Milder and Jimmy Buffett, and even played in front of the Queen of England.
There's a statement of intent in the sequence of an album's opening one-two punch. There's Harvey Milk's The Pleaser, a title reversal of set 'em up ("Down") and knock 'em down ("Get It Up & Get It On").
Last night, the 10 American Idol finalists were announced, and one thing is for sure: the five-year streak of pleasant-seeming, guitar-playing white dudes (in reverse order: Phillip Phillips, Scotty McCreery, Lee DeWyze, Kris Allen, and David Cook) is over.
There's hardly an adult anywhere in the world who wouldn't recognize at least some of the music of Motown.
The R&B label changed the course of music in the United States and made household names of Diana Ross, Stevie Wonder and The Jackson 5. Now, the man who created Motown — Berry Gordy — is headed to Broadway to tell his version of how it all began.
Stompin' Tom Connors was a Canadian folk legend. He was 77 when he died Wednesday at his home in Ontario. To those of us stateside, his most well-known tune is "The Hockey Song," played at hockey games everywhere. But to Canadians, Stompin' Tom Connors was an inspiration because of his naked nationalist pride.