There's a long tradition of female impersonators in pop, from English music-hall star George Robey to RuPaul. Then there are male singers whose vocal register and delivery simply conjure the feminine. The jazz singer Jimmy Scott is one marvelous example; the avant-garde pop singer Antony is another. Now, we can add Michael Milosh, half of the all-male pop duo Rhye, to that list.
The world often feels full of fading traditions, from drive-in movie theaters to the dying art of good old-fashioned letter writing.
For the British, add brass bands to that list. Traditional brass bands have played an important cultural role in working-class British communities for centuries. But some warn that without funding, they could become a thing of the past.
Take the Grimethorpe Colliery Band in South Yorkshire. The band was originally formed in 1917, and nearly 100 years later, a group of tuba, euphonium and other horn players still bears the band's name.
I've been listening to two very good new albums led by drummers. After learning that both men are in their early 70s, I can't help but wonder how I process that fact in what I hear.
"Killer" Ray Appleton (b. 1941) and Barry Altschul (b. 1943) practice different styles. But they both came of musical age in the hard-bop era, spent many years living in Europe and eventually returned to New York. In other words, they've each got a lot of experience.