NPR Music

Deceptive Cadence
8:27 am
Thu March 7, 2013

Marches Madness: Off With His Head!

In Hector Berlioz's Symphonie Fantastique, he imagines his own march to the guillotine.
Rischgitz Getty Images

It's Marches Madness! Throughout this month, we're posting some of our favorite marches — from the concert hall, opera stage and parade ground. Got one we should hear? Played any yourself? Let us know in the comments section.

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Heavy Rotation
6:31 am
Thu March 7, 2013

Heavy Rotation: 5 Songs Public Radio Can't Stop Playing

Tame Impala.
Maciek Pozoga Courtesy of the artist

Originally published on Tue March 26, 2013 8:57 am

Our panel of public-radio music obsessives has five more favorites to share. KCRW music director Jason Bentley can't get enough of the new Frightened Rabbit album. Alisa Ali, a DJ for New York's The Alternate Side indie-rock channel, picked a great new track by the promising Glasgow act CHVRCHES. Baltimore's Friday-night hip-hop show Strictly Hip Hop highlighted the new jam by Joey Bada$$.

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World Cafe
4:10 pm
Wed March 6, 2013

Y La Bamba On World Cafe

Y La Bamba.
Courtesy of the artist

The Latin Alternative band Y La Bamba formed in Portland, Ore., in 2008 and attracted attention for its disarming fusion of traditional Mexican music and alternative rock.

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Music Reviews
3:59 pm
Wed March 6, 2013

Rhye's 'Woman' Takes Easy Listening To Provocative Ends

The cover image from Rhye's debut album, Woman.
Stuart Hardie Courtesy of the artist

Originally published on Thu March 7, 2013 10:49 am

There's a long tradition of female impersonators in pop, from English music-hall star George Robey to RuPaul. Then there are male singers whose vocal register and delivery simply conjure the feminine. The jazz singer Jimmy Scott is one marvelous example; the avant-garde pop singer Antony is another. Now, we can add Michael Milosh, half of the all-male pop duo Rhye, to that list.

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Music News
3:49 pm
Wed March 6, 2013

Britain's Brass Bands: A Working-Class Tradition On The Wane

Cornetist Adam Rosbottom rehearses with the Grimethorpe Colliery Band in January. The band was founded in South Yorkshire, England, in 1917.
Christopher Werth

Originally published on Thu March 7, 2013 10:49 am

The world often feels full of fading traditions, from drive-in movie theaters to the dying art of good old-fashioned letter writing.

For the British, add brass bands to that list. Traditional brass bands have played an important cultural role in working-class British communities for centuries. But some warn that without funding, they could become a thing of the past.

Take the Grimethorpe Colliery Band in South Yorkshire. The band was originally formed in 1917, and nearly 100 years later, a group of tuba, euphonium and other horn players still bears the band's name.

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