NPR Music

JazzSet with Dee Dee Bridgewater
1:52 pm
Thu February 7, 2013

Jason Moran's 'Live: Time On The Quilts Of Gee's Bend' Suite On JazzSet

Jason Moran (left), Alicia Hall Moran (center), The Bandwagon and Bill Frisell (right) perform at the KC Jazz Club.
Scott Suchman Courtesy of the Kennedy Center

Originally published on Mon June 23, 2014 9:00 am

The Philadelphia Museum of Art recently commissioned Jason Moran to write music in conjunction with its exhibition of quilts made by a remarkable group of African-American women in a small rural community on a bend in the Alabama River.

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All Songs Considered
1:35 pm
Thu February 7, 2013

Get Dumb: The Knuckle-Draggin' Riffs Of Endless Boogie

Endless Boogie.
Courtesy of the artist

What is endless? The Universe (theoretically). Summer. Swimming pools. Shrimp. These are all well and good, but what of riffs? Is there is a band for which the riff cannot be confined to a single hook? A band for which three-minute songs are an insult to said riff? A band with riffs so repetitively, knuckle-draggingly dumb that it has to be some kind of genius? Yes, that band is Endless Boogie.

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Music
10:56 am
Thu February 7, 2013

Mixing Blues and the Nakota Nation In Music

Originally published on Thu February 7, 2013 2:28 pm

Transcript

MICHEL MARTIN, HOST:

I'm Michel Martin and this is TELL ME MORE from NPR News. The blues have always been a way to get at some of life's tougher trials and Otis Taylor's music is no different. Taylor, who calls himself a trans-blues musician, has taken on big themes like murder, racism and poverty in previous albums, but his latest album - his 13th and he says his emotional - started with four little words.

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The Mix
10:49 am
Thu February 7, 2013

The Mix: 50 Great Jazz Vocals

Billie Holiday topped Jazz24's list of the greatest jazz vocal songs with "Strange Fruit."
Hulton Archive Getty Images

Originally published on Fri March 1, 2013 12:38 pm

This audio is no longer available.

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Classics in Concert
10:39 am
Thu February 7, 2013

Max Richter In Concert: Reimagining Vivaldi

Composer-performer Max Richter (right) brings his revamped Vivaldi to Manhattan's Le Poisson Rouge.
Denise DeBelius NPR

Originally published on Tue July 8, 2014 12:08 pm

Can't take another moment of Vivaldi's ubiquitous Four Seasons? Neither could Max Richter, a London-based composer who deftly blurs the lines between the classical and electronic worlds.

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