Originally published on Mon April 15, 2013 4:21 pm
We'd never tried to squeeze a piano behind the Tiny Desk, but when I saw a chance to have Rufus Wainwright play here, I wouldn't — and he probably wouldn't — have had it any other way. Somehow, we managed to fit a glossy black Yamaha upright against my full bookshelves. Then we tuned it and waited for some glorious moments.
Originally published on Mon August 20, 2012 11:17 am
It's been a couple of years since we first discovered and fell in love with the music of Freelance Whales. That was back in 2010, shortly after the group of multi-instrumentalists from Queens, N.Y. released its breathtakingly beautiful debut Weathervanes.
Weekends on All Things Considered continues its "Why Music Matters" series with a story from the operating room.
"The O.R. is a naturally rhythmic place, in that you have the beating of the anesthesia machines and the autoclave comes on," says Divya Singh, an orthopedic and hand surgeon. "So music just becomes another sound."
In the 1920s, the sound of music in the black church underwent a revolution. Standing at 40th and State Street in Chicago, Roberts Temple Church of God in Christ was a witness to what occurred.
The high-energy gospel beat of the music that can still be heard in this Pentecostal church is the creation, music critics say, of Arizona Dranes, a blind piano player, a woman who introduced secular styles like barrelhouse and ragtime to the church's music.
Originally published on Sun August 19, 2012 3:19 pm
In the early 1970s, British musician Bill Fay recorded a couple of luscious folk albums — which didn't sell very well. Fay was dropped from label after label, and though he continued to write his storybook songs over the years, he eventually fell off the map.