[Roman Totenberg was a child prodigy who became a violin virtuoso, as well as a master teacher who passed along his command of craft and his love of music — and life — to thousands. He was also the man you wanted to sit next to at the table because he was so funny. Totenberg died this week at the age of 101, surrounded by loving family, friends and students. We asked his daughter, Nina Totenberg, for this remembrance. — Scott Simon]
Interesting discussions at George Colligan's blog this week. An informed opinion on the charge that music schools produce "cookie cutter" musicians. Some thoughts on sight reading, that misunderstood skill among the jazz community. And a low brass forum erupts.
When The Ting Tings exploded onto the pop scene in 2007, their grunge-chic style and sound were destined for success. Now, five years after the debut of their hit single "That's Not My Name/Great DJ" and four years after their first full length, We Started Nothing, The Ting Tings are back.
Originally published on Tue September 18, 2012 5:01 pm
I was an 18-year-old saxophone student at Berklee College of Music when my new best friend, a trumpeter named Willy Olenick, told me about The Fringe. "You've got to hear this band," he said. "They're an amazing trio. You can hear them any Monday night at Michael's and you're nuts not to go."
Willy didn't mention anything about what style they played, and I didn't ask. I just took his advice and went.
You've never heard "She'll Be Coming Round the Mountain" quite like this. For their first album together in nine years, Neil Young and Crazy Horse have taken classic American folk music and reinvigorated these songs with muscle, radiance and a whole lot of electric guitar. Some songs from the 19th century include "Oh Susanna" (no banjo here) and "Tom Dula" (you may know it better as "Tom Dooley").