Originally published on Mon December 17, 2012 3:00 pm
Clarence Penn is one of those jazz-trained drummers who prove too versatile, too accomplished, too good to have too much free time. He joined Ellis Marsalis' band when he was still in college; he's another graduate of Betty Carter finishing school. Since then, he's stayed busy touring with anyone and everyone — perhaps too busy to have put out a record of his own since 2002. That hopefully changes this year with the release of Dalí In Cobble Hill, an album of original music for quartet; we'll get a preview at the 92Y Tribeca.
Originally published on Mon January 27, 2014 10:24 am
After moving from Mexico City to the U.S. to study jazz, it didn't take drummer Antonio Sánchez long to find himself in the bands of international stars — folks like Pat Metheny, or Michael Brecker, or Chick Corea. It's easy to see why he's so busy; five minutes of watching him layer on polyrhythms will suffice. But he's got more than one talent: He also has a degree in classical piano, and has made a few records which show off his composing, starting with 2007's Migration.
This April, roots-rock singer-guitarist Bonnie Raitt released her first album in seven years, Slipstream. It's classic Raitt, mixing bluesy slide-guitar riffs with her soulful voice and a pop-friendly sensibility.
The delivery system, however, is brand-new. After years of working with the majors, Raitt decided to start her own label, Redwing Records. Raitt runs Redwing with the help of a tiny staff; Slipstream is the first release in its catalog.